TheArchive: Reviewing the Rare, Retro, and Restored

Josh Kirby: Time Warrior or Serial Killer? (aka an unnecessarily deep dive into Josh Kirby) Every clickbait article on Facebook, Twitter, or Buzzfeed seems to go on about how great the 90s were. Well, as someone who lived through it, I can tell you it wasn't all that great. The Phantom Menace, Ruby Ridge, Waco, the Beanie Baby craze; all equally bad. These, however, pale in comparison to what could possibly be the worst thing about the decade... the creation of the scariest children's character, ever: Josh Kirby . Be afraid. Be very afraid... Having sat through these six movies, I'm 99% sure our protagonist is a serial killer who has imagined all of the adventures we see on screen. Oh, you want proof? Are the ravings of a crazy person, driven to insanity after months of Covid-19 isolation, not good enough for you?!?  Well, here you  go: 1. Josh's weird fascination with watches. In the very first scene , we see a dresser drawer full of watc

We have recently mourned the passing of acting legend Wilford Brimley, who died on August 1 at the age of 85. Brimley became a household name thanks to his appearances in movies like Cocoon, commercials for Quaker Oats, and ubiquitous public-service announcements for diabetes awareness. Brimley’s acting career gained him loyal admirers among film fans, who heaped praise on his performances in films such as Absence of Malice, The Natural, The Firm, Hard Target, and of course, the cult horror classic The Thing. At TheArchive , we’re proud to have worked closely with one of Brimley’s many performances via our efforts to restore Where the Red Fern Grows: Part Two , the 1992 sequel to the 1974 film adaptation of the classic novel by Wilson Rawls. It was a privilege to construct a newly restored 4K master of this film from scans of original film elements. However, this proved to be one of the most difficult restoration processes we have undertaken for TheArchive . To give you a better sense

TheArchive  channel is dedicated to aficionados and lovers of story, craft, and silver screen fun – streaming rare, retro, and 4K restored films and classic TV.     From indies and series, to Oscar winning documentaries, unearthed MOWs, and a killer horror library,  TheArchive  delivers forgotten, never-before-seen gems for free.  Marilyn ,  Karloff , and Orson Welles  live alongside  Reese ,  Keanu , and  Samuel L. Jackson .  Find true stories of  Queen ,  Hendrix , and  Sinatra , an  LGBTQ  library,  MLK bios , and  world history  docs.  TheArchive  has the movies and shows you either saw, should’ve seen, or should be watching now! TheArchive.tv

Grizzly. Enough said.  Just watch now.  Streaming for free.  In 4K.  Free 4K. But if you need more persuasion, just have a look at the esteemed list of  Academy Award winners and nominees involved in this film ( started from the bottom ): Film Editing by  Bub Asman (two wins, six nominations) Location Sound by  John Asman (one Oscar, four Emmy wins and 14 nominations!) Cinematography by William Asman  ( how many Asman's are on this thing?  no Oscars but his brother Bub won two and his brother John won one) Sound Effects Editor Fred Brown (one nomination for Rambo II) Re-recording Mixer Jay Harding (two nominations) Orchestrator Jack Hayes (two nominations) Re-recording Mixer Don MacDougall (two wins, five nominations - did Star Wars and Close Encounters of Third Kind) Re-recording Mixer John Reitz (one win for The Matrix and six nominations) Make Up Artist Gene Witham (was on the Oscar nominated make up team on the original Planet

Film restoration is a tedious process that produces wondrous digital remasters of cult classic films. Films are fully restored to present an updated version of the movie once enjoyed by many audiences, years and years ago. The restoration involves many parts and working with film scanning technicians and editors - from color correction to sound cleanup - giving the film a fresh face and new life – elevating it to Ultra HD. The process starts with scanning the film. Before scanning, our film technician inspects the film, and if necessary, physically cleans off dirt and smudges – any ‘interferences’ that may disrupt the quality of the film to be scanned. Then, by scanning each frame of the reel individually, the film is converted into pixels as a raw digital file, and therefore a "digital replica," so that the digital remastering process can begin. This is where the coloring, sound and overall editing can begin to restore the flick. Here, things can get labori